About the GENE MEME paintings

 

The gene is the fundamental building block of life, its only purpose is to replicate. But with replication it mutates and through natural selection life evolves.

The GENE MEME paintings are themselves replications and mutations. The subject evolves from one painting to the next. Some of them feel like paintings of simple organisms that you might see in a petri dish, or single cells dividing and multiplying. Others appear to be abstract crowds of people - sophisticated and complex, but still with a basic mission to replicate and spread, to fill the canvas.

On a deeper level, the way they are painted captures something of the essence of life. Opaque, textured under-paintings are overlaid with transparent films of glaze that create the sense of skeletal structures, membranes and skins. This progressive layering of paint is used to introduce a sense of randomness; the randomness that characterises the mutation of genes. The paint is applied in contrasting layers using tools that are difficult to control, palette knives, brush handles, hands. This produces unexpected combinations, giving the paintings a sense of the complexity and diversity of life.

The layers dry quickly and so the painting is a battle in which the characteristics of the paint are continually changing and a coherent and harmonious whole must be achieved before the image coalesces, like life, on the canvas.

 
 
 

Rupert Maas of the Maas Gallery and Antiques Roadshow said...

Primeval gods haunt the painter Gregor Harvie - Khaos, and Eros (love, the life-bringer). Spread across the fifty intense paintings of his new show, Eros has triumphed  - life has proliferated so fast that Gaia is exhausted. Logic predicts that, full circle, Khaos will prevail in the future, but all we can see in The Crypt Gallery (the underworld!), where the fifty paintings are densely hung, is exponential cellular division evolving through to teeming crowds. A glimpse of what may be the fate of all this life is given by his partner, writer Alex Harvie, in a series of elegies for past societies that have collapsed under their own weight.

That's the point - in a word, over-population - but if you didn't know it the pictures would stand alone, each representative of the whole. I like the cellular division ones best; by dropping turps onto a wet paint surface, Harvie has created really very beautiful filigree patterns. According to his innate sense of colour and tone, the accidental marks are harmoniously arranged, and beautifully delicate - individual qualities that counterpoint the apocalyptic message of the show.

 

Click here to see a selection of GENE MEME paintings